It was 2016 that I first heard of this gallery. However, I had never made a visit to it until today. It’s 2020 now! Omg.
In this show, they exhibit 15 artists’s works for 3 weeks to celebrate the gallery’s six year old birthday.
Photo by Rye
With a blaze of colours, this wall welcoming guests at the first sight.
Photo by RyePhoto by Rye
A piece of work from Desire Obtain Cherish’s Meltdown series is available at the gallery.
“Jonathan Paul (aka Desire Obtain Cherish)’s body of work explores the decision-making process we undergo while chasing the elusive state of happiness. Whether happiness is understood through finances, beauty, sex, or intelligence, artist Jonathan Paul, aka Desire Obtain Cherish, is fascinated with the pursuit and the decisions involved in such a journey.” -UNIX Gallery
Photo by Rye
Next, the most impressive work. A wooden box made by Swedish artist Marck.
Photo by Rye
March uses the wooden box with images of the model moving and writhing inside the box to showcase the framework modern women are still facing in these days.
Rye Lin Art & Translation works closely with the art and cultural industry.
If you’d like to translate your documents from English to Chinese, Japanese, and Korean, feel free to contact us for a quote.
I escaped to Singapore for five days in September. As I made the third day of the trip a day for museums and galleries, I visited the National Gallery Singapore to begin the day.
I went to see both Lim Cheng Hoe’s and Wu Guanzhong’s solo exhibitions, and the first one came with a free guide. Aside from guiding us through the show, the guide also shared some stories about the development of Singapore with us.
National Gallery Singapore offers free guides to visitors in English and Mandarin. You can register to join at the ground floor.
“Lim Cheng Hoe (1912–1979) was the leading watercolour artist of his generation and one of the founders of the Singapore Watercolour Society. Largely self-taught, he studied painting under the then-art inspector of schools, Richard Walker, and honed his skills in the 1950s and 1970s by practicing and interacting with fellow artists during outdoor painting sessions.” (by National Gallery Singapore)
In the showroom. Photo by Rye
“Beginning with the early days of his practice in the 1930s, this exhibition features over 60 artworks, sketches and archival materials that highlight Lim’s mastery of outdoor watercolour landscape painting.” (by National Gallery Singapore)
“Lim’s style of painting had changed by the late 1960s. He sought to capture the modod of a scene in addition to form and texture.”
The Estuary Photo by RyeLim’s portrait works. Photo by Rye
To visit the National Gallery Singapore, you can use my link to get a discounted ticket and win a coupon worth TW$100 when you register. You can also click here to get a cheaper ticket to the National Gallery Singapore 😉
Rye Lin Art & Translation works closely with the art and cultural industry.
If you’d like to translate your documents from English to Chinese, Japanese, and Korean, feel free to contact us for a quote.
I escaped to Singapore for five days in September. As I made the third day of the trip a day for museums and galleries, I visited the National Gallery Singapore to begin the day.
I went to see both Lim Cheng Hoe’s and Wu Guanzhong’s solo exhibitions, and the first one came with a free guide. Aside from guiding us thorugh the show, the guide also shared some stories about the development of Singapore with us.
National Gallery Singapore offers free guides to visitors in English and Mandarin. You can register to join at the ground floor.
There are a bunch of themes in this exhibition, including My Land, Jiangnan, The Journey, Beyond the Image, Nudes in Twilight, New Rhythms of Tradition, and Landscape of Life.
The Gallery puts handwritten scripts on walls to separate each theme.
Among all the works exhibited in this show, I enjoyed Jiangnan series the most, and Manners of the Hometown of Lu Xun caught my eyes. With the pale blue background and humble houses in light brown, black, and white, the scene is highlighted by tree trunks and branches, and the peaceful water also speaks of tranquility.
Manners of the Hometown of Lu Xun Photo by RyeAn Old Wall Photo by RyeAnother series in this exhibition, The Journey. Photo by Rye
In another series, The Journey, A Bridge over the Seine River delivers a similar vibe. I like his use of colours in lower saturation. They make the painting peaceful and calming.
Still, there are more themes covered in Wu’s solo exhibition.
Part of a painting from Beyond the Image series. Photo by RyeAn Indoor Scene of A Pub in England Photo by RyeThe Great Chaotic World Photo by Rye
The sunset marks a good ending for this exhibition, and we were about to leave the Gallery for our next museum in Singapore.
The exhibition was about to conclude, so almost all visitors received a delicate exhibition catalogue. Lucky us!
Besides this one, I also went for another exhibition in the National Gallery Singapore, Lim Cheng Hoe: Painting Singapore, which was also an amazing one. It demonstrates the history of Singapore with the painting conceived by the Singaporean artist Lim Cheng Hoe. Why not take a look at it? Click here to read about it.
